Iran midfielder Niloufar Ardalan is known in her country as "Lady Goal," but the biggest goal she scored last year wasn't in a game. She needed her husband to approve the renewal of her passport to compete in international competitions, but he refused, citing her responsibilities to their son. With justice on her side, she appealed to the courts and won not only her freedom to travel but progress for the women of Iran.

A group of teens gets involved in the underground football betting scene where lots of money can be quickly won or lost.

江苏省广播电视总台网络产品部自制苏超主题微短剧《足Goal江苏》，将镜头对准“苏超”赛场外的普通民众，故事取材于“苏超”热搜新闻，且邀请故事原型真实出演，头部网络达人叨叨傅、“苏超”金牌解说员洪超、贾紫婷倾情加盟。本剧兼顾真实性与戏剧性，以风趣幽默的轻喜方式书写精彩的江苏人，表现江苏人相亲相爱、相互团结、相互温暖的精神状态，突出“苏超”在凝聚城市精神、展现地域文化、助力文旅融合、赋能江苏经济等方面的积极意义。

全剧由五个相互关联又独立成篇的故事组成，以江苏省城市足球联赛（简称“苏超”）为切口，讲述了一家五口人与“苏超”相关的温暖故事。

A new Coach takes over the girls cross country program at a private Christian school and sets a goal for them to win the state meet. As they begin to train for this, the top five runners each deal separately with a particular issue in life related to teens. As each of these stories unfold, so does the wisdom of the young Coach as she guides the girls along the pathway of life.

从最初的小学篇内容开始，到足球小将RoadTo2002的开始部分，其中最后还有原创的不同于漫画版本的2002内容，几乎包括了当时所有的足球小将漫画，内容简练，虽然缺少当初的激情，且省略了如世青赛等内容。

Zaynab and Maryam are two sisters who grew up playing soccer in Herat, Afghanistan, where they have played together for years on the city's women's soccer team. When the Taliban return to power in 2021, they both decide to flee. After a dangerous journey from Herat to Kabul, Maryam manages to board an emergency flight to Italy, but Zaynab is stranded in Kabul with her newborn daughter, Helal. The film recounts the drama of their separation, Zaynab's desperation trying to reunite with Maryam and her struggle to obtain a visa, while facing the fear of losing all hope of salvation.

The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.

《完美Lady》教你如何做一个“入得了厅堂，下得了厨房”的完美女人。

《完美Lady》教你如何做一个“入得了厅堂，下得了厨房”的完美女人。